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A Gallery Liquidation Auction

Saturday August 25th, 2018 at noon

Paintings, Prints, Sculpture, Photographs & Objects

Illustration precedes description

 

 

  

26

Marc Chagall (1887-1985) Russian/ French

JOSUE ARME PAR L’ETERNEL (S.242) from the Bible, etching with hand-coloring, initialed in pencil, numbered 4/100, plate 11 ¾ x 9”, sheet with large margins 21 x 15 ½” (53.5 x 39cm) framed.

Mild toning in margins, one speck lower left margin, otherwise in apparently good condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

27

Marc Chagall (1887-1985) Russian/ French

THE WANDERING MUSICIANS (M.396), 1963, lithograph from Lithographie II, sheet 12 ½ x 9 ½”, handsomely framed. Provenance: Galerie Michael Beverly Hills.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

28

after Marc Chagall (1887-1985) Russian/ French

RAIN, printing plate of a Guggenheim collection painting, copyright 1979 Salant/Helion lower left, sight 25 x 32”, framed.

In apparently good condition

Auction Estimate $500/1000

Starting Bid $250

 

 

 

29

Michael Chapman (b. 1957) Californian

STUDY FOR HOUSES IN LONG BEACH, 1996, oil painting on linen, signed and dated and titled on verso, 12 x 18”, framed. Provenance: Long Beach Museum of Art.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

30

Jules Cheret (1836-1933) French (four)

LES MAITRES DE L’AFFICHE Series, four color lithographs, each with signature in design, with blind stamp lower right, all printed by Chaix, Paris, average image 11 x 7 ½”, framed. (4)

Three with some toning, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

31

Jules Cheret (1836-1933) French (four)

LES MAITRES DE L’AFFICHE Series, four color lithographs, each with signature in design, with blind stamp lower right, all printed by Chaix, Paris, average image 11 x 7 ½”, framed. (4)

Two with pale toning, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

32

Lau Chun (b. 1942) Chinese

MARINA, 1981, oil painting on canvas, signed and dated lower right, 18 x 24”, framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

33

Pinchas Cohen Gan (b. 1942) Israeli

UNTITLED, 1999, acrylic painting with collage on multi-panel canvases, signed and dated lower center, 23 ¾ x 16 x 1 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

34

Contemporary Artist Unidentified (20th Century)

UNTITLED, color screenprint, signed in pencil, numbered 11/250, sheet 30 x 44”, framed.

Very pale discoloration at sheet edges, otherwise in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

35

Jose Luis Cuevas (1934-2017) Mexican (two)

PELLORIOFES, 1956, lithograph, signed and dated in pencil, numbered 19/20, printed by Tamarind with their blind stamp lower left, overall sheet 10 ½ x 33”; UNTITLED OCTOBER 10th, 1962, lithograph, signed in pencil, numbered 37/100, sheet 16 x 22”; the later framed with glass. (2)

The first with some adhesive residue right sheet edge, pale toning in margins; the second with discoloration from verso showing through to recto except in hinge spots in four corners, otherwise both in apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

36

Salvador Dali (1904-1989) Spanish

PERSISTENCE OF MEMORY (74-2A) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 146/150, published by Phyllis Lucas New York, sight 25 ½ x 27 ¼”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

37

Salvador Dali (1904-1989) Spanish

VELASQUEZ THE SURRENDER OF BREDA (74-2B) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 37/150, published by Phyllis Lucas New York, sight 24 ¾ x 24 ¾”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

38

Salvador Dali (1904-1989) Spanish

RAPHAEL THE MARRIAGE OF THE VIERGE (74-2C) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 98/150, published by Phyllis Lucas New York, sight 31 ¼ x 18 ½”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

39

Salvador Dali (1904-1989) Spanish

VELASQUEZ LAS MENINAS (74-2D) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 5/150, published by Phyllis Lucas New York, sight 31 ¼ x 21 ¼”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

40

Salvador Dali (1904-1989) Spanish

REMBRANDT SELF PORTRAIT (74-2E) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 123/150, published by Phyllis Lucas New York, sight 29 ¼ x 21 ¼”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

41

Salvador Dali (1904-1989) Spanish

VERMEER THE LETTER (74-2F) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 76/150, published by Phyllis Lucas New York, sight 31 ¼ x 21 ¼”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

42

Harold Christopher Davies (1891-1976) California (five)

VARIOUS, 1965-68, five acrylic paintings with gouache and crayon on paper, three signed and dated lower right the other two signed on verso, four with artist’s blind stamp, sheets 18 x 24”. (5)

Smudges and small imperfections, otherwise all in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

43

Harold Christopher Davies (1891-1976) California (three)

UNTITLED, 1962, pastel on paper, signed and dated lower left, artist’s blind stamp lower right, sheet 18 x 24”; UNTITLED, circa 1960, two pastels on paper, both estate stamped on verso, one dated, both with artist’s blind stamp, sheets 23 x 35” & 23 x 32 ½”. (3)

Smudges and speckles and minor imperfections, otherwise all in good studio condition.

Auction Estimate $600/900

Starting bid $300

 

 

 

44

Michel Delacroix (b. 1933) France

PARIS STREET SCENE, color lithograph, signed in pencil, numbered 120/150, published by Lublin, image 19 ¼ x 23”, full margins, framed with glass.

Some mild toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

45

Sonia Delaunay (1885-1979) French

UNTITLED, color lithograph, signed in pencil, numbered 55/75, image 23 ¼ x 17 ¼”, full margins, framed with glass.

Very pale discoloration, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

46

Andre Derain (1880-1954) French

FIGURE WITH GLASS, gouache on paper, studio stamp lower right, image 6 x 5 5/8”, framed. Provenance: Hammer Galleries, New York.

Extremely pale small discoloration spot in margin, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

47

Max Ernst (1891-1976) German

ECRITURES (S.134D), 1970, color aquatint etching, signed in pencil, number 87/100, plate 7 ½ x 5 ½”, full margins, gold leaf frame with glass.

Some small scattered speckles, otherwise in apparently good condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

47 A

Erte (1892-1990) Russian/ French

CABARET (E.109), 1988, cold-painted cast bronze sculpture, signed, numbered 359/375, published by Chalk & Vermilion and Seven Arts, overall 23 ¼ x 15 ½ x 7”.

In good condition

Auction Estimate: 1500/2500

Starting bid $750

 

 

 

47 B

Erte (1892-1990) Russian/ French

VENUS (E.39), 1987, cold-painted cast bronze sculpture, signed, numbered 113/375, published by Chalk & Vermilion and Seven Arts, overall 23 ¾ x 15 x 6”, including marble base.

In good condition

Auction Estimate: 1500/2500

Starting bid $750

 

 

 

47 C

Erte (1892-1990) Russian/ French

ANGEL (E.55), 1984, cold-painted cast bronze sculpture, signed, numbered AP 16/35, published by Fine Art Association/ JM, overall 13 ½ x 22 x 6”.

In good condition

Auction Estimate: 1500/2500

Starting bid $750

 

 

 

47 D

Erte (1892-1990) Russian/ French

READY FOR THE BALL (E.113), 1990, cold-painted cast bronze sculpture, signed, numbered 366/375, published by Chalk & Vermilion and Seven Arts, overall 18 ½ x 22 x 5”.

In good condition

Auction Estimate: 1500/2500

Starting bid $750

 

 

 

47 E

Erte (1892-1990) Russian/ French

DUETTO (E.135), 1989, cold-painted cast bronze sculpture, signed, numbered 246/500, published by Seven Arts London, overall 18 x 19 x 7”.

In good condition

Auction Estimate: 1500/2500

Starting bid $750

 

 

 

48

Erte (1892-1990) Russian/ French

WHITE TIE (E.75), 1990, color screenprint, gold signature stamp, numbered 284/300 in silver ink, printed by Coriander Studio London, image 21 x 15 ½”, full margins, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

49

Erte (1892-1990) Russian/ French

INGENUE (E.87), 1990, embossed color screenprint with foil stamping, gold signature stamp, numbered 103/300 in gold ink, published by Chalk Vermilion, printed by Chromacomp New York, image 22 ½ x 13 ¾”, full margins, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

50

Erte (1892-1990) Russian/ French

FLOWER PETAL GOWN (E.84), 1990, embossed color screenprint with foil stamping, gold signature stamp, numbered XCIX/CCC (99/300) in gold ink, published by Chalk Vermilion, printed by Chromacomp New York, sheet 38 ¼ x 29 ½”, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

Use the following links to view lot numbers 1-180

 

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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