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Modern, Contemporary & Latin American Art

Auction Saturday October 26th @ Noon

Illustration precedes description

 

  

 

126

Jean Negulesco (1900-1993) Californian

ARABESQUE 2, line print on hand-made paper, signed and titled and dedicated and inscribed 50 in red pencil, sheet 20 ½ x 15 ½”, frame 29 ½ x 25 ½” no glass.

Tipped to panel with some small skinned spots, minor discoloration on recto from toning on verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

127

Leroy Neiman (1921-2012) American

ALPINE SKIING (K.33), 19721972, color screenprint, signed in pencil, numbered 92/300, image 24 x 19”, full margins, frame 35 x 29 ¼” with glass.

Pale toning, colors slightly attenuated, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

128

Jean Nerfin (b. 1922) Canadian

UNTITLED, oil painting on canvas, signed lower right, 24 x 32”, frame 25 ¼ x 33 ¼”.

Some craquelure, some yellowing in lacquer, stretcher bar impressions, a few small scuffs and surface losses in corners, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

129

Jovan Obican (1918-1986) Yugoslavian/ French (three)

VARIOUS, three acrylic paintings on paper, each signed, sheets 28 x 19 ¾”, 20 ¼ x 14 ¾” & 19 ¾ x 14”, double glass frames 35 x 27”, 25 ¼ x 19 ¾” & 25 ¼ x 19 ¼”. (3)

Largest with small tape stains on verso, otherwise all in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

130

Oceanic Sepik Ancestor mask

Carved wood mask with beak-like nose and encrusted finish, 22 x 8 x 8”. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

131

Gustavo Ojeda (1958-1989) American (two)

TRACKS; UNTITLED, 1984, two oil paintings on Masonite, each signed on verso, one dated, each 12 x 9”. Provenance: Michael Kohn Gallery, Los Angeles. (2)

Surface soiling, minor edge wear, otherwise both in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

132

John Okulick (b. 1947) California

LISTENING POST, 1985, painted wood construction, signed and dated and titled on verso, 83 x 82 x 7”.

A few minor surface blemishes, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

133

Eric Orr (1939-1998) American

RADIO PLAY, 1989, mixed media with gold leaf and collage on panel, in artist’s led frame, signed and titled and dated on verso, overall 15 ½ x 13” with frame.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

134

Eric Orr (1939-1998) American

BLIND WINDOW, 1984, lead and gold leaf on sculptural panel, signed and dated lower right, titled lower left, signed and dated and titled on verso, 24 x 17”.

Scuffs and scratches, small stains lower center, some oxidation on window rim, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

135

Piero Pastacaldi (b. 1945) Italian

VECCHI BARCONI LIVORNO, oil painting on canvas, signed lower right, signed and titled on verso, 25 ½ x 21 ¼”, frame 32 ½ x 28 ¼ x 3”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

136

Shirley Pettibone (1936-2011) California

WATER PATTERN CONVICT LAKE SAND BANK TUOLUMNE RIVER, 1987, watercolor on paper, signed and dated lower right, image 4 ¼ x 6 ¼”, full margins, frame 10 ¼ x 12 ¼”. Provenance: Tortue Gallery, Sant Monica.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

137

Rock N’ Roll Poster Collection (six)

OZZY OSBOURNE 1980; JANE’S ADDICTION 2012; GHOST 2013; MASTADON; SCREECHING WEASEL 2014, five color screenprint posters, first three autographed in ink by Ozzy Osborne & Perry Farrell & Ghost, the first numbered 481/100, fourth signed in pencil and numbered 3/132, sheets 24 x 18” & 18 x 24”; SKULL & OWL, screenprint, signed and numbered 52/77 in pencil, printed by Old Star Press Venice CA, sheet 17 x 11”, frame 12 ¼ x 9” with glass. (6)

Ozzy poster with some small silverfish damage, Jane’s Addiction with hard creases from being rolled, some staining on verso, Ghost with cockling and small ink loss and creases upper right and discoloration on verso, Mastadon with mild cockling and smudges, Weasel with creases, mainly along right edge and retains slight curl from being rolled; otherwise all in good condition; Skull with cockling and creases and small stain lower left, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

138

 

NO LOT

 

 

 

139

Zandra Rhodes design (b. 1940) British

A vintage zebra stripe fur coat designed for Nieman Marcus, apparently small to medium size, with the Zandra Rhodes and Neiman Marcus tags, personalized stitching on interior of lining.

In good used condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

140

Mordechai Rosenstein (20th Century) American (four)

VARIOUS, four color screenprints, each signed in pencil, from numbered editions 175 & 700, sights 18 ¼ x 14 ¼” (2), 18 ¼ x 14 ¾” & 13 ¾ x 9 ¾”, frames 24 x 20” & 20 ¼ x 16 ¼”. Provenance: Michael Hittleman Gallery Los Angeles. (4)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

  

141

Mordechai Rosenstein (20th Century) American (five)

VARIOUS, four color screenprints and one color print, each signed in pencil, from numbered editions 375 400 & 613, sights 22 x 8” & 8 x 22”, frames 26 ½ x 12 ½”, 12 ½ x 26 ½” & 28 x 14”. Provenance: Michael Hittleman Gallery Los Angeles. (5)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

142

Georges Rouault (1871-1958) French

DES ONGLES ET DU BEC (Tooth and Nail) (plate 50 from Miserere) (Wofsy 157), 1926, aquatint, signed and dated in the plate center left, from the edition of 425, published by Ambroise Vollard, plate 22 ½ x 17 ½”, sheet 25 ¾ x 19 ¾”, frame 31 ½ x 25 ½” with glass.

Some toning and discoloration, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

143

Michael Rozenvain (b. 1963) Ukraine/ Israel (2) & Claude Fauchere (b. 1936) French (three)

Michael Rozenvain COFFEE IN PARIS; EIFFEL TOWER, two hand-embellished color screenprints, each signed and numbered 25/180 & 4/180 in ink, images 12 x 14 ½”, frames 14 ½ x 17”; Claude Fauchere COULEURS DE FRANCE VI, color screenprint, signed in pencil, numbered 34/350, blind stamp lower left, image 15 ¾ x 11 ¾”, full margins, frame 27 ¼ x 23”. Provenance: Michael Hittleman Gallery Los Angeles. (3)

All in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

144

Bakuzan Sakaki (1926-2010) Japan (two)

ADMONISH, 1961; BURN, 1961, two Sumi ink drawings on chain-laid paper, each signed and dated in pencil and with character stamps upper left, Admonish 26 ½ x 27 ¼”, Burn 27 ¼ x 26 ½”. Provenance: Primus Stuart Galleries, Los Angeles. (2)

Both with some minor discoloration from improper storage, otherwise both in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

145

School of Paris Style (20th Century) (three)

PARIS STREET SCENES, three oil paintings, two on canvas and one on Masonite, each signed, sizes 28 x 20” & 20 x 28”, two frames 33 x 25” & one 23 x 31”. (3)

All with surface soiling, some ingrained, otherwise all in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

146

Norman Seeff (b. 1939) South African American

FURRY LEWIS, MEMPHIS, TENNESSEE, gelatin silver print, artist’s red signature stamp lower right, image 13 ¼ x 19 ¼”, Plexiglas frame 16 ¼ x 20 ¼”.

Mild cockling and pale discoloration in margins, some debris inside frame, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

147

John Stancin (1916-1988) American

SURREALIST DOCK, oil painting on canvas, signed lower left, 20 x 48 ¼”, frame 29 x 57”.

A few light scuffs, fingerprints, faint hairline cracks, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

148

Igor Stravinsky (1882-1971) autograph

STRAVINSKY, PARIS 1938, silver gelatin print, signed and dated and inscribed in ink on a separate sheet, overall 20 ½ x 13 ¾” in one frame.

Some toning at perimeter of autographed paper, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

149

Elizabeth Stevens Street (20th Century) American

LAKESIDE VIEW, oil painting on canvas, signed lower right, 24 x 30”, with Woodstock label and stamp on verso, frame 30 ½ x 36 ½”.

Ingrained surface soiling, hairline craquelure, hairline cracks, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

150

Kunie Sugiura (b. 1942) Japan

CONFIDENCE MAN, 1982, acrylic and Rhoelex painting on canvas, signed and dated and titled on verso, 78x 72”.

In good studio condition.

Auction Estimate $10,000/15,000

Starting Bid $5000

Use the following links to view lot numbers 1-162

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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