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Auction Saturday June 29th @ Noon

 

CODA Gallery named "Best Gallery in California" American Art Awards

Exclusive Inventory Reduction Event part II and part III of the Moskowitz Estates

Illustration precedes description

 

 

 

126

Pre-Columbian: Colima Pottery

A tapered five-legged painted and incised ceramic bowl, 5” tall, 11 ¼” diameter, estimated for auction by Sotheby’s in 1997 for $1000-1500. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

127

Pre-Columbian: Costa Rican Pottery (two)

TOAD WHISTLE, painted ceramic, 2 ½ x 4 ¼ x 5 ½”, estimated for auction by Sotheby’s in 1997 for $400-500; A painted ceramic bowl, 2 5/8” tall, 6 ¼” diameter. Both from the collection of Selma & Herbert Moskowitz. (2)

Both in good aged condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

128

Pre-Columbian or Ethnic Pottery

A painted ceramic vessel with bird motif, 8” tall, 8” diameter. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

129

Pre-Columbian: Peruvian Nazca Pottery

CYLINDER VASE WITH TROPHY HEADS, painted ceramic vessel, 4” tall, 4 ½” diameter, estimated for auction by Sotheby’s in 1997 for $500-800. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

130

Pre-Columbian: Peruvian Chimu Pottery (1100-1470)

BIRD, blackware ceramic, 10 x 12 x 7”. From the collection of Selma & Herbert Moskowitz.

Beak probably re-attached, maybe professionally, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

131

Pre-Columbian: Veraguas Panamanian Pottery (two)

A ceramic bowl with swirl-designed painted interior, 3” tall, 7” diameter estimated for auction by Sotheby’s in 1997 for $500-700; A painted ceramic bowl with painted interior, 3 ½” tall, 8” diameter. Both from the collection of Selma & Herbert Moskowitz. (2)

Both in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

132

Pre-Columbian: Veraguas Panamanian Pottery

PEDESTAL PLATE, painted ceramic, 6” tall, bowl 9” diameter, estimated for auction by Sotheby’s in 1997 for $600-900. From the collection of Selma & Herbert Moskowitz.

Pedestal reconstructed, with glue stains and lacking some small pieces, otherwise in good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

133

Susan Rankaitis (b. 1949) American

LAX DIFFUSION, 1981, manipulated color photograph, 23 ¾ x 19 ½”, titled signed and dated on the verso, frame 29 ½ x 25 ¾”.

Colors may be attenuated, some oxidation, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

134

Susan Rankaitis (b. 1949) American

ASCENDING STAR, manipulated color photograph with collage, 21 ½ x 19”, signed on verso?, frame 29 x 26”.

Colors may be attenuated, some oxidation, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

135

Douglas Ricks (1954-2004) Utah/Idaho

HARVEST, 1992, oil painting on canvas, signed and dated lower left, signed and titled on verso, 30 x 24”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

Small perimeter chips otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

136

Douglas Ricks (1954-2004) Utah/Idaho

THE RAVEN IN THE MOON, 1992, oil painting on canvas, signed and dated lower left, 24 x 30”, frame 32 x 38 ¼”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

137

Ellie Riley (20th Century) California

FLEDGLING II, powder coated metal wall sculpture with omni-directional mount, signed and titled on verso, overall 28 x 38 x 8”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

138

Ellie Riley (20th Century) California

STEEL RAINBOWS (Green), 2002, powder coated metal sculpture, signed and dated and titled, 15 ¼ x 23 x 9”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

139

Ellie Riley (20th Century) California

TACTILE VISIONS MAGENTA, 2005, acrylic painting on canvas with raised metal overlay, signed and dated and titled on verso, overall 53 ½ x 59 ½ x 2 ½”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

140

Joel Rosenthal & Charles (Chuck) Henderson (two)

Joel Rosenthal MARINES RAISING THE FLAG AT IWO JIMA, gelatin silver print, from a later printing, signed and dedicated in marker, image 8 x 6 ¾”, sheet 9 7/8 x 8”, frame 16 ½ x 14 ½”; Charles (Chuck) Henderson STATUE OF LIBERTY, gelatin silver print, signed in pencil on mat, sight 9 ¾ x 13 ¾”, frame 16 ¼ x 20 ¼”. (2)

Both in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

141

Sarena Rosenfeld (b. 1940) California

SELF-PORTRAIT, 1986, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 36 x 24”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

142

Sarena Rosenfeld (b. 1940) California

RED NUDE WITH THE BLUES, 1998, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 48 x 36”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

143

Rudolf Schwarzkogler (1940-1969) Austrian

HEAD AND HAND, 1965, gelatin silver print mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

Very mild wave in card, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

144

Rudolf Schwarzkogler (1940-1969) Austrian

TABLE OBJECTS, 1965, gelatin silver print mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

Very mild wave in card, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

145

Rudolf Schwarzkogler (1940-1969) Austrian

MAN WITH HANDS BEHIND BACK, 1965, gelatin silver print mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

Very mild wave in card, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

146

Norman Seeff (b. 1939) South African American

FURRY LEWIS, MEMPHIS, TENNESSEE, gelatin silver print, artist’s red signature stamp lower right, image 13 ¼ x 19 ¼”, Plexiglas frame 16 ¼ x 20 ¼”.

Mild cockling and pale discoloration in margins, some debris inside frame, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

147

Kawachi Seiko (b. 1948) Japan (four)

FLYING Series, 1985, four color woodcuts, each signed and dated and titled in pencil, all inscribed PP (printer’s proof) aside from the edition of 35 & 8, each 65 ½ x 37 ¾” including Plexiglas box frames. Illustrated in Modern Japanese Prints 1912-1989, Lawrence Smith, plates 135-138. Proceeds to Benefit UCLA Health. (4)

All in apparently good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

148

John Sexton (b. 1953) Californian

WHITE BRANCH, MERCED RIVER, YOSEMITE VALLEY, CALIFORNIA, 1974, gelatin silver print mounted to card, signed and dated in pencil on card, image 10 ¼ x 13”, frame 16 ¼ x 20 ¼”.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

149

Rufino Tamayo (1899-1991) Mexican

LA NEGRESSE from the Mujer Series (P.109), 1969, color lithograph, signed in pencil, numbered 93/150, image 27 x 21”, full margins, frame 40 x 33 ¼”.

In apparently good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

150

Antoni Tapies (1923-2012) Spanish

PERFIL, 1995, color aquatint, signed in pencil, numbered 10/30, sheet 22 ¼ x 30”, frame 28 ½ x 36”.

A few soft handling creases in margins, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

Use the following links to view lot numbers 1-171

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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