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20th & 21st Century Modern & Contemporary Artwork from

Paul J. Coady, Yale Udoff, and Gaby & David Stuart estates

 Saturday December 1st, 2018 at noon

   

1

Loren D. Adams Jr. (b. 1945) Indiana

LA MIA PEROGATIVA, Cibachrome with original handwork, signed and numbered 14/100 in gold ink lower left, sight 13 x 44”, framed.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

2

Peter Alexander (b. 1939) Californian

STUDY FOR VELVET AT REBECCA’S, circa 1982, acrylic and mixed media on paper, signed and dated lower right, 18 x 23 Ύ”, framed. From the collection of Paul J. Coady. Provenance: James Corcoran Gallery Santa Monica.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

3

Artist Unidentified (20th Century)

UNTITLED, 1988, oil painting and resin on canvas, signed and dated on verso, 13 x 11”, framed. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

4

Artist Unidentified (20th Century) American

EXPOSED AT THE THRESHOLD, 1991, diptych, oil painting on canvas, signed and dated and titled on verso, each panel 55 x 70”, overall 110 x 70”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

5

Artist Unidentified (20th Century)

PROFILE, 1984, oil painting on panel, signed and dated lower right, signed on verso, 19 ½ x 15 ½”, framed. From the collection of Yale Udoff.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

6

Artist Unidentified (20th Century)

BAS MASQUE, inlaid marble and malachite, 7 x 5”, framed. From the collection of Gaby Stuart.

Some surface? discoloration in the black background, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

7

Artists Unidentified (20th Century) (two)

INTERIOR, 1980, color pastel on paper, signed and dated, sight 11 Ύ x 10 ½”, framed with glass; LANDSCAPE, 1984, gouache on paper, signed and dated lower left, 7 ½ x 7 ½”, framed. Both from the collection of Yale Udoff. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

8

Artists Unidentified (20th Century) (two)

WOMAN, oil painting on board, signed and dated 86’ upper right, 8 ½ x 6 Ό”, framed; PORTRAIT OF WOMAN, 2009-2010, color pastel and acrylic on German newsprint, signed Dubov or Dubou? and dated upper left and right, 14 Ό x 13 Ό”, framed with glass. Both from the collection of Yale Udoff. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

9

Artist Unidentified (20th Century), Carl Gaetner (1898-1952) Ohio (two)

Artist Unidentified BAY VIEW, oil painting on Devoe Canvas Board New York-Chicago, 10 x 16”, framed; Carl Gaetner PARK SCENE, graphite drawing on paper, image 3 ½ x 7 Ό”, full margins, framed with glass. Both from the collection of Yale Udoff. (2)

Both in apparently good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

10

Kenojuak Ashevak (1927-2013) Canadian Inuit

UNTITLED, etching, signed in pencil, numbered 45/50, image 9 x 11 Ύ”, full margins, framed. From the collection of Gaby Stuart.

Some printer’s creases, otherwise in apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

11

Edith Baumann (Hudson) (b.1948) Californian

BLUE #9 PINK #6, 1989, acrylic painting on canvas, signed and dated on verso, 63 x 63”. Provenance: Newspace, Los Angeles. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $800/1200

Starting bid $400

 

 

 

12

David Bierk (1944-2002) Canadian

PRAIRIES FIELD/DARK SKIES, 1989, oil painting on photographs on canvas, signed and dated on verso, 26 x 48”, framed. From the collection of Yale Udoff. Provenance: Jan Turner Gallery, Los Angeles.

In good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

13

Franny Brennan (20th Century) American (two)

SAFETY PIN CLOUD; ECLIPSE, 1992, two color lithographs, each signed in pencil, numbered AP 18/60 & 84/250, both published Martin Lawrence Ltd Editions, images 2 Ύ x 2 Ύ” & 2 ½ x 2”, both with full margins, framed. From the collection of Gaby Stuart. (2)

The later with tiny spot upper right margins, otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

14

David Bungay (b. 1933) Californian

TWO ANTELOPES, 1989, watercolor on paper, signed and dated lower left, 14 x 20”, framed. From the collection of Paul J. Coady. Provenance: Jan Turner Gallery Los Angeles.

In apparently good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

15

David Bungay (b. 1933) Californian

BULL ELK (Wapiti), 1984, acrylic painting on canvas, signed and dated lower left, signed and dated and titled on verso, in hoof-design frame overall 61 ½ x 71”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

16

Jerrold Burchman (b. 1939) New York/ California

ARTIST AND MODEL, 1963, oil painting on board, initialed and dated lower right, 26 x 20”, framed. From the collection of Yale Udoff. Provenance: Felix Landau Gallery, Los Angeles.

Some surface soiling, smudges, a few nicks and scrapes mainly in upper area, otherwise in good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

17

Jerrold Burchman (b. 1939) New York/ California

LA PICCOLA/15, 2010, acrylic painting on panel, signed and dated and titled on verso, 12 x 12”. From the collection of Yale Udoff.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

18

Jerrold Burchman (b. 1939) New York/ California

UNTITLED JB/03, 1980, acrylic painting on paper, signed and dated lower right, image 7 Ό x 9 Ύ”, full margins, framed with glass. From the collection of Yale Udoff. Provenance: Hunsaker/Schlesinger Associates, Los Angeles.

In apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

19

Hans Burkhardt (1904-1994) Swiss/American Don Spicer (20th/ 21st Century) American (three)

Hans Burkhardt LOVE, 1968, etching with hand-coloring?, signed and dated and titled in brown ink, plate 1 Ό x 8”, full margins, framed with glass; Don Spicer UNTITLED, 1997-98, two, each a graphite drawing on paper, purportedly signed on verso, 5 x 8” & 6 x 4”, framed with glass. Provenance: The Living Room/ Special Projects in Contemporary Art, Santa Monica. All from the collection of Gaby Stuart. (3)

All in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

20

John Button (1929-1982) New York/ California (three)

CITY AT TWILIGHT, 1967, oil painting on canvas, signed lower right, 16 ½ x 27 Ύ”, artist’s label on verso; LAKE WESSERUNSETT, MAINE, 1977, watercolor on paper, signed and dated lower right, sight 19 Ύ x 14”; RUSSIAN HILL, watercolor on paper, initialed and titled lower right, sight 7 ½ x 13”; All framed, two with glass. From the collection of Gaby Stuart. (3)

City with surface soiling and dust accumulation, some minor cockling along upper edge, Lake in apparently good studio condition, Russian with cockling, possibly some discoloration, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

21

Burton Callicott (1907-2003) Memphis

RED SHACK, 1945, oil painting on canvas, signed and dated and titled on frame backboard, also signed and dedicated on a posti-note on backboard, 12 Ό x 15”, framed.

Drying cracks and craquelure, otherwise in good studio condition.

Auction Estimate $500/1500

Starting bid $250

 

 

 

22

Burton Callicott (1907-2003) Memphis

SUMMER MERIDIAN, 1963, oil painting on canvas, signed and dated lower right, 48 x 38”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

Hairline cracks, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

23

Burton Callicott (1907-2003) Memphis

UNTITLED PAINT RAG, 2001, oil paint on cloth, signed and dated lower right, 16 x 16 ½”, Plexiglas box frame (cracked). Provenance: David Lusk Gallery, Memphis, Tennessee.

In good apparently good studio condition.

Auction Estimate $500/1500

Starting bid $250

 

 

 

24

Suzanne Caporael (b. 1949) New York/ California

PORTRAIT OF VIRI, 1982, egg tempera on paper, signature not found, possibly on verso?, 40 x 35”, heavy framed with glass. From the collection of Paul J. Coady. Provenance: Irit Krygier Contemporary Arts, Los Angeles; Exhibited at Santa Barbara Museum of Art, California Viewpoint, April – June 1986, lender Jan Turner.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

25

Ceramics by: Pam Murakami (20th Century) Hawaiian, Artists Unidentified (three)

Pam Murakami PERCHED CROW, 2001, painted and glazed stoneware teapot, signed and dated underneath, 5 ½ x 4 x 3”, Provenance: Koplin Gallery, West Hollywood; Ceramic Artist Unidentified PEAS; NYMPH, two glazed ceramic figurines, peas signed or inscribed underneath 1 ½ x 4 x 4”, nymph 5 Ό x 3 ½ x 3 Ό”. All from the collection of Gaby Stuart. (3)

Peas with a small professional repair to one of the flower petals, otherwise all in apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

26

Ceramics by: Emma Luna (2), Kena Hodge, & Barbara Phillips (2), all (20th Century) American (five)

Emma Luna WASHCLOTH; SINGLE WHITE (sock), two ceramic sculptures, both signed, 3 ½ 6 x 7” & 4 x 6 x 3 ½”, Provenance: John Natsoulas Gallery, Davis, California; Kena Hodge BOWL, porcelain with clear glaze, signed underneath, Provenance: Dawn Moline Fine Art, Gold River, California, with illustrated invitation. Barbara Phillips UNTITLED (Cats), a pair of painted Raku ceramic sculptures, each signed and inscribed “Gumps” (S.F. dept. store), each 19 x 8”. All from the collection of Gaby Stuart. (5)

Luna Washcloth with dust accumulation, Hodge with inconspicuous chip at rim, otherwise both in apparently good condition; Phillips with repaired at one hip and some scuffs and scrapes, otherwise in good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

27

Ann Chamberlain (1951-2008) American

PING PONG, 2001, oil painting on canvas, signed lower right, signed and titled on verso stretcher bar, 18 x 18”, framed. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery, Santa Monica.

In apparently good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

28

Ann Chamberlain (1951-2008) American

NUDE AND INVISIBLE MAN, 1995, oil painting on canvas, signed lower right, signed and dated and titled on verso, 6 x 8”. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery, Santa Monica.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

29

Ann Chamberlain (1951-2008) American

LIGHT, 1999, oil painting and mixed media on wood, signed lower right, signed and dated and titled on verso, 5 Ό x 4”. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery, Santa Monica.

Small loss upper right corner, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

30

Cheong Soo Pieng (1917-1983) Chinese

BALINESE WOMEN WITH DEER, 1975, oil painting on canvas, signed in Chinese upper right, signed and dated on verso, 33 Ό x 33 Ό”, framed. Provenance: acquired directly from the artist by the Tao Family in Singapore.

Some minor hairline cracks, a few minor surface scuffs, otherwise in good condition.

Auction Estimate $200,000/400,000

Starting Bid $150,000

 

 

 

31

James Crabb (b. 1947) California, Arik Brauer (b. 1929) Austrian (two)

James Crabb BLU/BERRY PIE, 1973, oil painting on canvas, signed and dated and titled on verso, 11 Ύ x 11 Ύ”, framed; Arik Brauer MAN WITH BIRD AND ROSE, color aquatint etching, signed in pencil, numbered VIII/X (8/10), plate 8 Ό x 10 Ό”, full margins, framed with glass. Both from the collection of Yale Udoff. (2)

Crabb with minor edge wear otherwise in good studio condition; Brauer with pale discoloration and speckles in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

32

Michael Crespo (1947-2010) Louisiana

THE ORACLE, 2005, watercolor on paper, signed lower center, 40 x 26”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good apparently studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

33

Jose Luis Cuevas (1934-2017) Mexican

WANTED from Crime, 1968, color lithograph, signed in red pencil, proof aside from the edition of 100, sheet 22 x 30”, framed with glass. From the collection of Yale Udoff.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

34

John De Heras (20th/ 21st Century) Californian (two)

BLOOD ON THE MORTAR OF CELESTIAL LIFE; NIERIKA SERIES, circa 1990, two acrylic and mixed media paintings on canvas over panel, 10 x 8” & 8 x 10”, one framed. From the collection of Gaby Stuart. Provenance: FIG (First Independent Gallery), Bergamot Station, Santa Monica. (2)

Both in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

35

Jim DeFrance b. 1940) California

LARUS, 1988, acrylic painting on birch and aluminum, signed and dated and titled on verso, 40 x 36”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

36

Laddie John Dill (b. 1943) Californian

UNTITLED, acrylic and mixed media painting on canvas, 28 x 20”. From the collection of Paul J. Coady.

Some minor surface soiling, a few scuffs, a few small nicks and edge chips, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

37

Otto Dix (1891-1965) German, Balthus (1908-2001) Polish/ French (two)

Otto Dix OTTO FREUNDLICH, 1923, lithograph, signed and dated in pencil lower right, image 15 x 10 ½”, full margins; Balthus LE MANGEUR DE CIGARETTES, color lithograph, signed in design, numbered 73/200 in pencil, with GG blind stamp lower left, sheet 22 x 15”, both framed with glass. Both from the collection of Yale Udoff. (2)

Both with some pale discoloration in the margins otherwise in apparently good condition.

Auction Estimate $500/700

Starting bid $250

 

 

 

38

Patrick Dullanty (1927-2004) California

PORT OF SACRAMENTO II, 1975, oil painting on panel, signed on verso?, 5 ½ x 9 ½”, unidentified gallery label on verso for $5000, framed. From the collection of Gaby Stuart. Provenance: John Natsoulas Gallery, Davis, California.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

39

Brad Durham (b. 1952) American

FOUR SEASONS, 1996, the set of four color lithographs, each signed and dated and numbered 32/50 in pencil, printed by Cirrus with blind stamp lower left, images 16 Ό x 14”, sheets 24 ½ x 20 ½”, nicely framed with glass. (4)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

40

Beth Edwards (20th/ 21st Century) Memphis

MEADOW II, oil painting on canvas, signed on stretcher bar, 18 x 19”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

41

Beth Edwards (20th/ 21st Century) Memphis

ORCHARD I, oil painting on canvas, signed on stretcher bar, 18 x 19”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

42

Beth Edwards (20th/ 21st Century) Memphis

HAPPY COW, 2008, oil painting on canvas, signed and titled on stretcher bar, 22 x 25”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

43

Beth Edwards (20th/ 21st Century) Memphis

BLISS, oil painting on canvas, signed on stretcher bar, 22 x 24”, framed. Provenance: remnant of David Lusk Gallery, Memphis, Tennessee label on verso.

In good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

44

Beth Edwards (20th/ 21st Century) Memphis

HAPPY V (mouse), oil painting on canvas, signed on stretcher bar, 12 x 12”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

45

Kosso Eloul (1920-1995) Israeli

UNTITLED, stone sculpture, signed, 5 ½ x 4 x 3 Ό”. From the collection of Gaby Stuart.

Some edge wear and discoloration, otherwise in good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

46

Erte (1892-1990) Russian/ French

MADAM BUTTERFLY (E.54), 1989, embossed color screenprint with hot foil stamping on black paper, signed and numbered 205/300 in white pencil, published by Chalk & Vermilion Fine Arts, printed by Chromacomp, sight 23 x 37 Ό”, framed.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

47

Erte (1892-1990) Russian/ French

ROSES DE NUIT E.51), 1989, embossed color screenprint with hot foil stamping on black paper, signed and numbered 82/300 in white pencil, published by Chalk & Vermilion Fine Arts, printed by Chromacomp, sight 34 ½ x 24 ½”, framed.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

48

Erte (1892-1990) Russian/ French (ten)

NUMBERS 0-9 (L.172-181), 1980, the complete portfolio of ten embossed color screenprints, each signed in pencil and numbered AP 18/39 (artist’s proof), published by Circle Fine Art with blind stamp lower left, printed by Chicago Serigraphic Workshop & Cooke-Burger Embossing Inc., sheets 22 ½ x 17 Ό”, six unframed, # 5, 6, 8, 9 framed, with portfolio box and text pages. (10)

Six unframed in good condition, framed prints with mild cockling with #6 most apparent, otherwise four framed prints in apparently good condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

49

Erte (1892-1990) Russian/ French

LA FEMME A LA PANTHERE (L.87), 1980, cold-painted cast bronze sculpture, signed, numbered 97/250, published by RKP International overall 15 x 13 x 6 Ό”.

A small portion of leash chain replaced, otherwise in good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

50

Erte (1892-1990) Russian/ French

LA COQUETTE (L.104), 1985, cold-painted cast bronze sculpture, signed, numbered 274/375, published by Fine Arts Acquisitions, overall 19 x 8 x 8”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

51

Erte (1892-1990) Russian/ French

FLAMES OF LOVE (L.142), 1984, cold-painted cast bronze sculpture, signed, numbered 259/350, published by Fine Arts Acquisition, overall 17 ½ x 6 Ό x 6 Ό”.

Lacking right earring, otherwise in good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

52

Erte (1892-1990) Russian/ French

ARCTIC SEA (E.134), 1988, cold-painted cast bronze sculpture, signed, numbered 233/375, published by Chalk & Vermilion and Seven Arts, overall 28 Ύ x 13 ½ x 10”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

53

Erte (1892-1990) Russian/ French

CARAMELLE (E.164), 1990, cold-painted cast bronze sculpture, signed, numbered 360/375, published by Chalk & Vermilion and Seven Arts, overall 18 x 11 x 9”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

54

Erte (1892-1990) Russian/ French

FEATHER GOWN (E.175), 1988, cold-painted cast bronze sculpture, signed, numbered 19/375, published by Chalk & Vermilion and Seven Arts, overall 17 1/8 x 11 Ύ x 7 Ύ”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

55

Erte (1892-1990) Russian/ French

ASIAN PRINCESS (E.186), 1988, cold-painted cast bronze sculpture, signed, numbered 266/375, published by Chalk & Vermilion and Seven Arts, overall 20 Ύ x 18 ½ x 12”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

56

Erte (1892-1990) Russian/ French

LA MERVEILLEUSE (L.49), 1980, cold-painted cast bronze sculpture, signed, numbered 90/250, published by RKP International, overall 15 ½ x 9 ½ x 7 ½”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

57

Erte (1892-1990) Russian/ French

LE SOLEIL (L.52), 1980, cold-painted cast bronze sculpture, signed, numbered 290/300, published by RKP International, overall 17 5/8 x 8 x 7 Ό”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

58

Erte (1892-1990) Russian/ French

FEDORA (E.152). 1989, cold-painted cast bronze sculpture, signed, numbered 132/500, published by Seven Arts London, overall 19 x 8 x 10”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

59

Duane Richard Faralla (1916-1996) California

CIRCLE NINE, 1962, painted wood construction, signed and dated and titled on verso, 17 ½” diameter, 6” deep. From the collection of Gaby Stuart. Provenance: David Stuart Gallery, Los Angeles.

Missing a small piece, a few small chips, some dust accumulation and minor surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

60

Charles Fazzino (b. 1955) New York

LA DODGERS, 2003, acrylic painted 3-dimensional canvas construction, signed and dated lower right side, 14 x 11 x 3”, framed. Provenance: Art One Gallery label on frame verso.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

61

Charles Fazzino (b. 1955) New York

GREETINGS FROM NEW YORK, three-dimensional die-cut color screenprint with glitter highlights, signed in pencil, numbered 57/450, image 35 x 28 Ό”, full margins, framed.

In apparently good condition.

Auction Estimate $1000/2000

Starting bid $50

 

 

 

62

Malcolm Furlow (b. 1946) Wyoming, Malcolm McClain (1923-2012) Californian (two)

Malcolm Furlow APACHE WITH DOG, sepia etching, signed and titled in pencil, numbered 9/70, image 5 x 4”, full margins, framed. Provenance: Center Street Gallery, Jackson, Wyoming; Malcolm McClain BUTTES SOUTH OF SANTA FE, 1990, Chromecoat with enamel marker, signed and dated in marker lower right, 4 x 6”, framed. Provenance: Shidoni Gallery, New Mexico. Both from the collection of Gaby Stuart. (2)

Both apparently good condition.

Auction Estimate $200/300

Starting bid $100

 

 

 

63

Roberto Gil de Montes (b. 1950) Mexico/ California

PAISAJE, 1987, oil painting on tin and carved wood, signed and dated on verso, 11 x 24 ½”, framed. From the collection of Yale Udoff. Provenance: Jan Baum Gallery, Los Angeles.

In good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

64

James Gill (b. 1934) Oregon

SMALL STANDING NUDE, 1964, grease crayon on Masonite, 10 x 8”, framed. From the collection of Yale Udoff. Provenance: Felix Landau Gallery, Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

65

James Gill (b. 1934) Oregon

NEW YORK TIMES PORTRAIT, 1969, acrylic and collage on panel, signed and dated lower left, 24 x 18”, framed. From the collection of Yale Udoff.

Minor surface soiling and edge wear, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

66

Ed Gilliam (b. 1941) New Mexico/ California

UNTITLED, 1988, oil painting on canvas, signed and dated on verso, 44 x 65”, slat frame. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

67

Lawrence Gipe (b. 1962) California

UNTITLED TRAIN TRACKS, oil painting on paper, 25 x 20”, framed (lacking glass). From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

68

Leonel Gongora (1932-1999) Columbia

PORTRAIT OF PAINTER HOLDING HIS HANDS, 1964, ink wash and pencil on paper, signed center right, 6 Ό x 5 Ό”, framed with glass. From the collection of Yale Udoff. Provenance: Cober Gallery Inc, New York.

In apparently good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

69

Gaylen Hansen (b. 1921) Utah

WATERING THE DUCK,1971, oil painting on unstretched canvas, signed and dated lower right, 50 x 72”.

Some discoloration and spotting on verso, otherwise in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

70

Robert Harvey (1924-2004) Californian

AUNT KATE, 1966, oil painting on canvas, signed and dated lower left, titled on verso, 36 x 36”, framed. From the collection of Gaby Stuart. Provenance: Krasner Gallery, Madison Avenue.

Surface soiling, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

71

Robert Harvey (1924-2004) Californian

UNCLE JOHN’S FAMILY AT NORFOLK, 1964, watercolor on paper, signed and dated lower right, signed and dated and titled on verso, sight 8 Ό x 10”, discardable frame with glass. From the collection of Gaby Stuart. Provenance: David Stuart Gallery, Los Angeles.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

72

Jeanne Hedstrom (b. 1953) New York, Norman Schwab (20th/ 21st Century) Californian (two)

Jeanne Hedstrom UNTITLED, 1988, oil painting on artist’s board, initialed and dated lower left, 13 ½ x 10 ½”, framed, Provenance: Edward Thorp Gallery, New York; Norman Schwab IN MEMORY, 1990, oil painting with collage on canvas, signed and dated and titled on verso, 9 x 22”, Provenance: Space Gallery, Los Angeles. Both from the collection of Yale Udoff. (2)

Schwab with minor surface soiling, otherwise both in good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

73

Roger Herman (b. 1947) Californian

INDIAN, 1982, oil painting on canvas, 80 x 80”. From the collection of Paul J. Coady. Provenance: Ulrike Kantor Gallery Los Angeles.

Natural drying cracks, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

74

Roger Herman (b. 1947) California

UNTITLED, 1988-89, oil painting on canvas, signed and dated on verso, 120 x 80”, wired for horizontal display, 80 x 120”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $3000/6000

Starting bid $1500

 

 

 

75

Mary Hicks (20th/ 21st Century) American

BUTTERFLY BOX, 1996, portfolio of ten ink-jet prints, each signed and dated and numbered 1/17 on verso, sheets 7 ½ x 7 ½”, mats14 x 14”, in original linen covered case which is signed and dated on inside cover. From the collection of Gaby Stuart.

A speckle here and there, two mat corners with small dings, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

76

Mary Hicks (20th/ 21st Century) American

DAINTY BESS, 1995, watercolor on paper mounted to panel, signed and dated lower left, 17 x 17 x 1”, framed. From the collection of Gaby Stuart.

Very pale discoloration, a few studio? speckles, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

77

Al Hirschfeld (1903-2003) American

BARBRA STREISAND AND WALTER MATTHAU IN HELLO DOLLY, etching, signed in pencil, numbered XIII/XXX, with ES blind stamp lower right, plate 12 Ό x 15”, sheet 18 x 20 ½”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

78

Al Hirschfeld (1903-2003) American

FRANK SINATRA AND LUCIANO PAVAROTTI IN CONCERT, 1982, etching, signed in pencil, numbered 84/200, plate 9 Ύ x 13 Ύ”, sheet 15 x 20 Ό”.

Tiny discoloration spot upper right corner, otherwise good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

79

Al Hirschfeld (1903-2003) American

LA BOHEME: LUCIANO PAVAROTTI AND TENATA SCOTTO, etching, signed in pencil and inscribed AP (artist’s proof) XI/XX, plate 14 Ό x 17 ½”, sheet 21 ½ x 24 ½”.

Some soft handling creases and creases in the margins, some pale discoloration at sheet edge, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

80

Al Hirschfeld (1903-2003) American

WOODY ALLEN AND DIANE KEATON IN ANNIE HALL, 1983, etching, signed in pencil, numbered 187/200, plate 12 Ύ x 9 Ύ”, sheet 20 Ό x 15”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

81

Al Hirschfeld (1903-2003) American

EDWIN BOOTH AS HAMLET, 1985, etching, signed in pencil, numbered 112/150, with ES blind stamp lower right, plate 16 Ό x 11 Ύ”, sheet 22 Ό x 17”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

82

Al Hirschfeld (1903-2003) American

BIG BANDS: GLENN MILLER, ARTIE SHAW, BENNY GOODMAN, COUNT BASIE AND DUKE ELLINGTON, 1992, etching, signed in pencil, numbered 70/150, with ES blind stamp lower right, plate 15 Ύ x 13 ½”, sheet 22 ½ x 19 ½”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

83

Al Hirschfeld (1903-2003) American

GARY COOPER AND GRACE KELLY IN HIGH NOON, 1994, etching, signed in pencil, numbered 4/160, plate 12 Ύ x 9 Ύ”, sheet 19 x 15”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

84

Al Hirschfeld (1903-2003) American

GREGORY PECK IN TWELVE O’CLOCK HIGH, 2000, lithograph, signed in pencil, numbered 93/100, image 15 Ύ x 12”, sheet 22 x 18”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

85

Tom Holland (b. 1936) Californian

PONT, 1986, color soft ground and aquatint etching, signed and dated and titled in pencil, inscribed A.P. 2 (artist’s proof), image 21 x 35 ½”, full margins, framed with glass. From the collection of Paul J. Coady.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

86

Tom Holland (b. 1936) Californian

UNTITLED, 1988, mixed media and collage on paper, signed and dated lower right, 30 x 44”, framed. From the collection of Paul J. Coady.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

87

John Hunter (b. 1934) Californian

AS WE GO THROUGH THE YEARS 1967-1968, oil painting on canvas, signed lower right, titled on verso, 48 x 48”, remnants of gallery label on verso, framed. From the collection of Yale Udoff.

Surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

88

John Hunter (b. 1934) Californian

LADY, 1975, airbrush, spray paint and graphite on canvas, signed and dated and titled on verso, 12 x 12”, framed. From the collection of Yale Udoff.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

89

James Jarvaise (b. 1931) Californian

MAN ON BALCONY, 1963, oil painting on Masonite, signed and dated lower right, 11 7/8 x 10 Ό”, framed. From the collection of Yale Udoff. Provenance: Felix Landau Gallery, Los Angeles.

Some small flaking, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

90

James Jarvaise (b. 1931) Californian

BOY SLEEPING AT TABLE, 1962, oil painting on canvas, signed and dated lower right, dedicated on verso, 28 Ύ x 28 Ύ”, framed, Provenance: Felix Landau Gallery, Los Angeles.

Flaking and chipping mainly in upper green area, craquelure and feather cracking, natural drying cracks in some colors, slight warping, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

91

John Paul Jones (1924-1999) Californian, Howard Warshaw (1920-1977) New York/ California (two)

John Paul Jones UNTITLED, 1962, lithograph, signed in pencil, numbered 11/20, printed by Tamarind, with blind stamp lower center, sheet 15 x 5 ½”, framed with glass. Provenance: Felix Landau Gallery, Los Angeles; Howard Warshaw HAND, circa 1965, color etching, signed and dated in pencil, plate 8 x 4 Ύ”, full margins, framed with glass. Both from the collection of Yale Udoff. (2)

Jones with hinge impressions upper and lower sheet edges with associated faint discoloration; Warshaw with pale discoloration in margins near mat; otherwise both in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

92

Michael Kalish (b. 1973) Californian

MARILYN, three-dimensional cut metal license plates collaged on to painted metal, signed upper right, 42 x 42 ½ x 1 ½”.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

93

Michael Kalish (b. 1973) Californian

MOZART, three-dimensional cut metal license plates collaged on to painted metal, signed upper left, 33 x 33 ½ x 1 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

94

Martin Kane (b. 1958) British

MELANCHOLY, 1990, oil painting on canvas, signed lower left, 20 x 30”, framed. From the collection of Yale Udoff. Provenance: Thumb Gallery, London.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

95

Carol Kaufman 20th/ 21st Century)

UNTITLED, 2003, red and blues and black Uniball pen on Masonite panel, signed and dated on verso, 15 x 13”. From the collection of Gaby Stuart. Provenance: Kiyo Higashi, Los Angeles.

A few surface scuffs and other minor blemishes, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

96

Carol Kaufman (20th/ 21st Century)

UNTITLED, 1999, triptych, white and black Uniball pen drawing on Masonite panels, signed and dated on verso, 13 x 31 ½”. From the collection of Gaby Stuart. Provenance: Kiyo Higashi, Los Angeles.

Some minor edge wear, small accretion on left panel, minor scuffs and blemishes, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

97

Agnes Kellogg (20th Century) California

STILL LIFE, 1961, mixed media on board, signed lower right, signed and dated on verso, 48 x 36”. From the collection of Paul J. Coady. Provenance: Santa Monica Auctions November 2004, lot 134.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

98

Peter Kennelly, Christin Couture, & James Faulkner (three)

Peter Kennelly (b. 1965) British, SILENCE NINE BLUE MEN HAVING FUN, 1990, oil painting on canvas, signed and dated and titled on verso, 7 Ό x 10”; Christin Couture (20th Century) Massachusetts, THE FAST BATH, 1979, acrylic painting on Masonite, signed and dated lower right, 6 x 8”, Provenance: Monique Knowlton Gallery, Inc. New York; James Faulkner (1933-2010) American, PARKER’S PARROTT ONAN, 1988, paper collage, initialed and dated lower right, 10 x 7”; All framed. All from the collection of Yale Udoff. (3)

Couture with a few faint scuffs and rubs, otherwise all in apparently good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

99

Leonard Koscianski (b. 1952) Californian

DARK PASSIONS, 1987, oil painting on canvas with synthetic surface coating, signed and dated lower left, titled and dated on verso, 72 x 48”, framed. From the collection of Paul J. Coady. Provenance: Karl Bornstein Gallery, Santa Monica.

In good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

100

Leonard Koscianski (b. 1952) Californian

SHADED LANE, 1989-90, oil painting on canvas, signed and dated lower left, signed and dated and titled on verso, 90 x 132”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

101

Ronald Kullaway (b. 1933) Maine

STUDY FOR CAMMILLE, watercolor on paper, signed lower right, sight 6 ½ x 9”, framed with glass. From the collection of Yale Udoff.

In apparently good studio condition.

Auction Estimate $200/300

Starting bid $100

 

 

 

102

Ronald Kullaway (b. 1933) Maine

LANDSCAPE, oil painting on board, signed upper left, 8 ½ x 6 ½”, framed. From the collection of Yale Udoff.

In apparently good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

103

Christopher Lane (b. 1937) New York

LINEAGE Series #4, 1996, incised slate with gold leaf and gouache, signed and dated and inscribed on verso, 11 Ύ x 11 Ύ”. From the collection of Gaby Stuart. Provenance: Kiyo Higashi.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

104

William Lane (b. 1936) Californian

MISCELANEA STUDY #2, 1999, gouache and collage on paper, possibly signed on verso, 7 x 9 ½”, artist’s label on verso, framed. From the collection of Gaby Stuart. Provenance: The Living Room Special Projects in Contemporary Art, Santa Monica.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

105

Tad Lauritzen Wright (b. 1972) Texas

ODALISQUE #10, 2002, mixed media on woven linen and canvas, signed and titled on verso, 14 ½ x 20 Ύ”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

106

Rico LeBrun (1900-1964) California

TINY MASK, circa 1963, cast bronze sculpture, numbered 16/48 underneath, on wood stand. From the collection of Gaby Stuart. Provenance: Koplin Gallery, Los Angeles.

A couple of tiny nicks on the wood stand, otherwise in good condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

107

Robert Lopez (20th/ 21st Century) (four)

ROBERT DUNCAN; BLANCHE AND D. HOWARD; TIN ANGEL TABLES; TIN ANGEL, SF, four gelatin silver prints, Tin Angeles mounted to card and signed on card, images 7 x 4 Ύ x to 5 ½ x 4 ½”, all framed with glass, with a signed hand-written note from artist to Gaby. From the collection of Gaby Stuart. (4)

A few soft handling creases, Blanche with mild oxidation, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

108

Jose Lozano (b. 1959) California

BLUE AND GREEN ETHNIC DRESS, 2000, acrylic painting with graphite on paper, signed and dated and titled on back of frame, sight 12 ½ x 6 ½”. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery, Santa Monica.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

Martin Lubner (b. 1929) California

TENNIS BALL, 2004-05, oil painting on canvas, signed and dated and titled on verso, 6 x 6”. From the collection of Gaby Stuart. Provenance: FIG (First Independent Gallery), Bergamot Station, Santa Monica.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

110

Martin Lubner (b. 1929) California (two)

RESTING WOMAN, 1967, PORTRAIT OF A MAN, circa 1967, two graphite drawings with wash on paper, first initialed and dated lower right, the second signed and dedicated, sights 10 Ύ x 10 Ύ” & 15 x 13”, both framed with glass. From the collection of Yale Udoff. (2)

Both with some vertical creases and pale discoloration at mat, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

111

Chris Madans (20th/ 21st Century) Californian (two)

DISMANTLING THE FANTASY (Chasing Rene Magritte), 2009; TRUST IN THE PROCESS, 2006, two, found objects assemblage in box constructions, both signed and dated and titled on verso, 10 ½ x 9 x 6 Ύ” & 9 x 11 x 6 ½”. From the collection of Gaby Stuart. Provenance: FIG (First Independent Gallery), Bergamot Station, Santa Monica. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

112

Peter Max (b. 1937) German/ American

MICKEY MOUSE, 1995, acrylic painting over color screenprint on canvas, signed upper right, artist’s stamp and studio number 24188 on verso, 16 x 14”, framed.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

113

Peter Max (b. 1937) German/ American

LIBERTY HEAD, VIRGINIA FILM FESTIVAL #82, acrylic painting over color print, signed lower left, 33 x 27”, framed.

Crease upper left corner, otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

114

Peter Max (b. 1937) German/ American

PROFILE #2 from Roseville Suite, 1992, acrylic painting on paper, signed upper right, 40 x 30”, framed, studio number 11982.

In apparently good studio condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

115

Peter Max (b. 1937) German/ American

WALKING IN THE REEDS, acrylic painting over color print, signed upper right, sight 17 x 23 ½”, framed.

In apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

116

Dan McCleary (b. 1952) Californian

MICHAEL ABATEMARCO, 1985, oil painting on canvas, signed and dated and titled on verso, 14 x 12”, framed. From the collection of Yale Udoff. Provenance: Newspace, Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

117

Dan McCleary (b. 1952) Californian

ALISON FLESCH #2, 1988, oil painting on canvas, signed and dated and titled on verso, 16 x 14”, framed. From the collection of Yale Udoff.

Faint stretcher bar impressions, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

118

Dan McCleary (b. 1952) Californian

PEAR, 2017, etching, signed in pencil, numbered 13/25, image 8 ½ x 7”, sheet 13 x 10”, framed with glass. Provenance: courtesy of the artist. Proceeds to benefit the Samburu Project’s mission to provide access to clean water in Samburu, Kenya.

In apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

119

John Millei (b. 1958) Californian

DEAR DOCTOR #5, 1994, color monoprint, signed and dated lower right, titled lower left, Cirrus blind stamp lower left, sheet 42 x 29 ½”. From the collection of Paul J. Coady.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

120

Jim Morphesis (b. 1948) Californian

ICARUS FIGURE, 1992, oil, charcoal and collage on wood panel, signed lower left, 30 ½ x 18”. Artist’s or gallery label on verso. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $500/1500

Starting bid $250

 

 

 

121

Richard Allen Morris (b. 1933) Californian

BLUE THEATRE, 1978, acrylic painting on paper, signed and dated lower right, 5 x 7”, framed. From the collection of Gaby Stuart. Provenance: R. B. Stevenson Gallery, La Jolla.

In apparently good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

122

Robert Motherwell (1915-1991) New York

AUSTRALIAN STONE (B.314), 1984, color aquatint etching with chine colle, signed in pencil and numbered 28/52 upper right, image 17 ½ x 23 ½”, sheet 24 ½ x 30”, framed.

Some pale discoloration and speckles in margins, otherwise in apparently good condition.

Auction Estimate $6000/9000

Starting Bid $3000

 

 

 

123

Leonardo Nierman (b. 1932) Mexican

MOMENT OF CREATION, acrylic painting on Masonite, signed lower left, titled on verso, 48 x 72”, framed. Provenance: Merrill Chase Chicago.

Surface soiling and some yellowing from cigarette smoke, some faint surface scuffs, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

124

Leonardo Nierman (b. 1932) Mexican

PREHISTORIC DREAM, oil painting on Masonite, signed lower right, titled on verso, 48 x 35 Ό”, framed.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

125

Leonardo Nierman (b. 1932) Mexican

UNTITLED, c. 1965, acrylic painting on Masonite, signed lower left, 10 x 5 Ύ”, framed.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

126

Leonardo Nierman (b. 1932) Mexican

FLIGHT, color lithograph, signed in pencil, numbered 223/300, image 23 x 31”, full margins, framed with glass.

Some pale toning, otherwise apparently good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

127

Leonardo Nierman (b. 1932) Mexican

UNTITLED, color lithograph, signed in pencil, numbered 120/300, image 12 x 16”, full margins, framed with glass.

Minor toning, otherwise apparently good condition.

Auction Estimate $100/200

Starting bid $50

 

 

 

128

Mayumi Oda (b. 1941) Japanese

SEA MAIDEN OF THE NORTH, color woodblock print, signed in pencil, numbered 19/25, sheet 36 x 23 Ύ”, framed.

Soft and printer’s creases, some small crinkles, slight line impressions lower right, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

129

Echiko Ohira, Guy Williams, Michael Verlangieri, Otella Wruck, & T. G. Fernald (five)

Echiko Ohira (20th/ 21st Century) Japanese/ California, UNTITLED, 1999, watercolor and graphite with collage on Japanese washi paper, signed and dated lower right, 16 x 14”; Guy Williams (1932-2004) Californian, FAULT, 1984, watercolor and pencil on paper, signed and dated lower right, 24 x 31 ½”, Provenance: Jan Baum Gallery Los Angeles; Michael Verlangieri (b. 1955) Californian, UNTITLED, collaged handmade paper, signed lower right, 13 x 16”; Otella Wruck (20th / 21st Century) Californian, STICKS, 1998, polaroid transfer on watercolor paper, signed and inscribed A/P (artist’s proof) in pencil, image 4 x 3”, full margins, Provenance: FIG Bergamot Station, Santa Monica; T. G. Fernald (20th Century), CATHEDRAL, 2000, archival digital print, signed and dated and titled and numbered 2/25 in pencil on mat, image 4 Ύ x 4 Ύ”, Provenance: FIG Bergamot Station, Santa Monica; All framed, one with glass, Williams with discardable frame. All from the collection of Gaby Stuart. (5)

Ohira with hinge impressions in four corners, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

130

Hidetaka Ohno (b. 1922) Japan

WORK No. 12, 1960, oil painting with burlap on silk over wood panel, signed and dated and titled on verso, 36 x 29”, framed. From the collection of Gaby Stuart. Provenance: Yamada Art Gallery, Kyoto, Japan; David Stuart Galleries, Los Angeles.

Some surface soiling and dust accumulation, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

131

Hidetaka Ohno (b. 1922) Japan

WORK No. 11, 1960, oil painting with burlap on silk over wood panel, signed and dated and titled on verso, 29 x 36”, framed. From the collection of Gaby Stuart. Provenance: Yamada Art Gallery, Kyoto, Japan; lacking David Stuart Galleries, Los Angeles label.

Some surface soiling and dust accumulation, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

132

Hidetaka Ohno (b. 1922) Japan

WORK No.14, 1959, oil painting with burlap on silk over wood panel, signed and dated and titled on verso, 47 ½ x 53 ½”, framed. From the collection of Gaby Stuart. Provenance: Yamada Art Gallery, Kyoto, Japan; Primus (David) Stuart Gallery, Los Angeles.

Small losses in silk upper left, some surface soiling and dust accumulation, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

133

Tom Perkinson (b. 1940) New Mexico

BY THE RIVERSIDE, 1988, oil painting on canvas, signed and dated lower right, 30 x 40”, framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

134

Tom Perkinson (b. 1940) New Mexico

PLANTING TIME, 1979, watercolor and color pastel on illustration board, signed and dated lower right, 29 ½ x 39 ½”, framed.

Some water damage upper right corner with associated cockling, a touched-up area upper left, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

135

Tom Perkinson (b. 1940) New Mexico

STILL LIFE WITH FLOWERS, 1982, oil painting on panel, signed and dated lower right, 35 x 30”, framed.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

136

Tom Perkinson (b. 1940) New Mexico

HILLSIDE MANOR (Fall Harvest), 1979, watercolor and color pastel on illustration board, signed and dated lower right, 29 ½ x 39 ½”, framed.

Some silverfish damage upper right area, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

137

Tom Perkinson (b. 1940) New Mexico

WHITE NIGHT, 1978, watercolor and color pastel on illustration board, signed and dated lower right, 29 ½ x 38 ½”, framed.

Some water damage upper right corner with associated cockling, smudge upper right upper right center edge, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

138

Sarah Perry (b. 1956) American

SIX SECONDS BEFORE MIDNIGHT, 2001, mixed media sculpture, signed and titled underneath, 19 ½ tall, 8 Ό” diameter. From the collection of Gaby Stuart. Provenance: Hunker/ Schlesinger Fine Art, Santa Monica.

Natural decay to inset elements, otherwise in good studio condition.

Auction Estimate $500/1500

Starting bid $250

 

 

 

139

Raymond Pettibon (b. 1957) American

CLICK MY RUBY SLIPPERS, 2010, color lithograph, signed in pencil, numbered 82/91, printed by Self Help Graphics with blind stamp lower right, sheet 20 x 26”, framed.

In apparently good condition.

Auction Estimate $1200/1800

Starting Bid $600

 

 

 

140

W. C. Quirt (20th Century) (two)

APPLE; BANANA; 1967, a pair of bronze sculptures, each signed and dated, numbered 3/8 and 4/12, sizes 3 x 2 Ύ” & 1 Ό x 6 ½ x 1 ½”. From the collection of Gaby Stuart. (2)

Some tarnish, otherwise in apparently good studio condition.

Auction Estimate $200/300

Starting bid $100

 

 

 

141

Veda Reed (b. 1934) Oklahoma

NIGHTFALL: EARTH’S JOYS GROW DIM, ITS GLORIES PASS…, 2007, oil painting on canvas, initialed and dated lower right, signed and dated and titled on verso, 29 x 72”. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

142

Rana Rochat (b. 1960) Tennessee

UNTILED L343, 2003, encaustic painting on panel, signed and titled on verso, 34 x 32”. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

143

Nadine Roditi (20th/ 21st Century) California

BLACK FLUTE PLAYER, 1992, oil painting on canvas, 24 x 20”, framed. From the collection of Gaby Stuart. Provenance: Rachele Lozzi Fine Art, Los Angeles.

Surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

144

John Rogers (20th Century) California

SACRED IBIS, 2009, mixed media sculpture of ceramic and papier-mache, artist’s signature and title labels underneath, 13 x 13 ½ x 5 ½”. From the collection of Gaby Stuart. Provenance: R. B. Stevenson Gallery, illustrated on the invitation for artist’s show May/June 2009. La Jolla.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

145

Roman Romanyshyn (b. 1957) Ukrainian (four)

FOUR SEASONS, 2001, four color etchings, each signed and dated and numbered 8/30 or 9/30 in pencil, sheets 9 Ύ x 9”, all with full margins and framed. From the collection of Gaby Stuart. Provenance: Koplin Gallery, Los Angeles. (4)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

146

Frank Romero (b. 1941) Californian

STILL LIFE WITH CAT AND FLOWERS, 2000, oil painting on canvas, signed and dated upper left, 54 x 54”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

147

Art Roussimoff (20th Century) Russian

PORTRAIT, oil painting on canvas, signed upper left, 16 x 12”, framed. From the collection of Yale Udoff.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

148

Johannette Rowley (20th Century) Hawaii

MISCHIEF, a pair of painted and glazed red ceramic shoes with horse hair tassels, each signed underneath, each 5 ½ x 9 x 3 Ό”. From the collection of Gaby Stuart. Provenance: John Natsoulas Gallery, Davis, California.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

149

Bjorn Rye (1942-1998) American

CALIFORNIA LANDSCAPE AT NIGHT, acrylic painting on foam core board, signed lower right, 30 x 40”, framed.

Some minor edge wear, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

150

Mary Schairer (20th/ 21st Century) Californian (three)

PICASSO PEEKING, 1998, paper collage, 10 Ύ x 8 Ό”; OUT OF EGYPT, 2008, paper collage, 14 x 11”; VERTICAL TAPE, 2000, ink on collaged strips of paper, 20 Ό x 18 ½”; all framed, the second with glass. Provenance on second and third FIG (First Independent Gallery), Bergamot Station, Santa Monica. All from the collection of Gaby Stuart. (3)

All in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

151

Kenny Scharf (b. 1958) California/ New York

UNTITLED, 2012, acrylic painting on wood panel, signed and dated lower center, 48 x 84”.

Some scuffs and scrapes and nicks and chips, otherwise in good production condition.

Auction Estimate $5000/10,000

Starting bid $2500

 

 

 

152

Steve Schauer (b. 1952) American (six)

DINNER WITH DAD, 1998, the set of six hand-painted Color Me Mine ceramic plates, each signed and dated and numbered 2/10 on verso, each 10 ½” diameter. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery. (6)

Each in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

153

Rocky Schenck (b. 1955) Texas

ENDLESS, 2004, toned gelatin silver print, signed and titled and numbered 1/8 lower right, 30 x 44”, framed with glass. Provenance: Paul Kopeikin Gallery.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

154

Henry Schile & Company Publisher (19th Century) American

SMITH RESCUED BY POCAHONTAS, 1870, hand-colored lithograph after Edward Henry Corbould, image 17 Ύ x 24 ½”, with full black margins, period frame with glass. From the collection of Gaby Stuart.

Speckles and small spots, tears in upper margin, mainly visible with light, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

155

Steve Schmidt (b. 1964) Californian

131 LIPSTICK, 1998, mixed media with polymer and cigarette paper on canvas, signed and dated and titled on verso, 7 Ό x 7 Ό”. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery.

Small loss lower left corner, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

156

Steve Schmidt (b. 1964) Californian

ALL, 2002, acrylic on wood, signed and dated and titled on verso, 4 x 4”. From the collection of Gaby Stuart.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

157

No Lot

 

 

 

 

 

 

 

158

Mary Sims (1940-2004) Memphis

FRED WITH BOW, circa 1980, acrylic painting on canvas, a signature not found, 42 x 48”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

Some surface scuffs, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

159

Yong Sin (20th/ 21st Century) (2), Long-Bin Chen (b. 1964) Taiwan (three)

Yong Sin BEING AND NOTHINGNESS - CONVERSATION V, 1998; BEING AND NOTHINGNESS - HAPPY DAYS III, 1996, two acrylic painting on color photographs, the first signed and dated and titled on frame verso, sights 5 Ύ x 7 Ύ” & 4 ½ x 6 ½”, both in photo frames with glass. Provenance: Remba Gallery, Los Angeles; Long-Bin Chen HAND, 2000, cut paper book sculpture, signed and dated, 2 ½ x 8 x 5”, Provenance: Robert Berman Gallery, Santa Monica. All from the collection of Gaby Stuart. (3)

All in apparently good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

160

Jared Small (b. 1980) American

STUDIES UNTITLED GRAY (Horse), 2011, oil painting on Masonite, signed on verso, 12 x 12”. Provenance: David Lusk Gallery, Memphis, Tennessee.

Some wear in corner, mild surface soiling, a few surface scuffs, otherwise in good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

161

No Lot

 

 

 

 

 

 

 

162

Don Sorenson (1948-1985) California

UNTITLED, 1976, acrylic painting on canvas, signed and dated on the verso, 60 x 96”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

163

Jack Stuck (b. 1923) American (two)

BATHERS; UNTITLED, 1963, two color etchings, each signed in pencil, numbered 4/12 & 2/12”, images 8 x 9 ½” & 5 x 5 ½”, both with full margins, both framed, one with glass. From the collection of Gaby Stuart. (2)

Both with pale discoloration in margins, otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

164

Jack Stuppin (b. 1933) American

MARSH ROAD AND ESTERO, 1996, oil painting on canvas, signed and dated and titled on verso, 6 x 20”, framed. From the collection of Gaby Stuart. Provenance: Herbert Palmer Gallery, Los Angeles.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

165

John Swanger (b. 1956) Pennsylvania

LEAD PAINTING #4, 1997, lead, epoxy and oil painting on canvas, signed and dated and titled and artist’s stamped on verso, 24 x 22 ½”. From the collection of Gaby Stuart. Provenance: Kiyo Higashi Gallery, Los Angeles.

A few small scuffs, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

166

Francis Tansey (b. 1959) Dublin, Ireland

SUBJECTIVE COLOR HARMONY, 1992, oil painting on canvas, signed and titled and dated on verso, 24 x 24”, framed. Exhibited at Solomon Gallery, Dublin.

A few light surface scuffs, otherwise good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

167

Ann Thornycroft (b. 1944) Californian

JAGAT, 1987, oil painting on canvas, signed and dated and titled on verso, 36 x 60”, framed. From the collection of Paul J. Coady.

Hairline cracks in thick white areas, natural drying cracks, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

168

Tracy, Hana Capova, & Michelle Rollman (three)

Tracy (20th/ 21st Century) American, MONSTER (toy bird), 2007, oil painting on canvas, signed and dated and titled and inscribed 03 on verso, 8 x 8”; Hana Capova (b. 1956) Czech Republic, THE CAT FROM PHODOS, 1998, color etching, signed and dated in pencil, numbered 8/20, plate 8 ½ x 6 Ό”, sheet 18 Ύ x 12 Ύ”; Michelle Rollman (b. 1967) American, WEASEL, 1997, graphite drawing on paper, 1 5/8 x 1 5/8”, provenance: Gallery Paule Anglim, San Francisco; All framed. All from the collection of Gaby Stuart. (3)

Rollman with pale toning from mat coming through to recto except where there are hinges on verso, otherwise all in apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

169

Jeffrey Valance (b. 1955) Californian

REPTILE #5, 1980, enamel on board with decals, possibly signed on verso, 12 ½ x 19”, framed. From the collection of Yale Udoff. Provenance: Rosamund Felson Gallery, Los Angeles.

Mounted to mat board, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

170

Matthias Van Arkel (b. 1967) Sweden

UNTITLED, mixed media with collage and synthetic rubber on Masonite, signed lower right, 26 x 21 ½”, framed.

In apparently good studio condition.

Auction Estimate $1000/3000

Starting Bid $500

 

 

 

171

Rik Van Bentum (1936-1994) Dutch

CLEOPATRA & CAESAR, 1991, acrylic painting and mixed media on paper, signed and dated lower right, 22 x 28”, framed with glass. From the collection of Gaby Stuart.

In apparently good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

172

Beth Van Hoesen (1926-2010) California

RAG DOLL, 1995, color etching, signed and titled in pencil, numbered 13/25, image 10 x 7 Ό”, full margins, framed. From the collection of Gaby Stuart.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

173

Peter Voulkos (1924-2002) Californian

THE OAKLAND MUSEUM, 1969, plastic and metal relief, signature in design, from the edition of 500, size 27 ½ x 20”. From the collection of Gaby Stuart.

Losses on thin side panel, stains and oxidation on metal background, some surface soiling, otherwise in good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

174

Catherine Warren (b. 1946) Oregon

ST. AUNT MARIE, acrylic painting on canvas, signed on verso?, 48 x 60”. Provenance: Jan Turner Gallery, Los Angeles.

Surface soiling, smudges, faint stretcher bar impressions, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

175

Daniel Wheeler (b. 1961) American

QUADRUPED, 2002, wood, steel and Formica mixed media sculpture, 36 x 19 Ό x 24 ½”. From the collection of Gaby Stuart. Provenance: Hunsaker/ Schlesinger Gallery, Santa Monica.

Birch wood appendage appears to be sun bleached or dried-out for lack of polishing or oiling, otherwise in good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

176

Leigh Wiener (1929-1993) New York/ California

SKY WITH GAZEBO, gelatin silver print, signed in pencil on mat, sight 18 ½ x 15”, framed with glass. From the collection of Paul J. Coady.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

177

Joseph Wilhelm (1923-2003) New Orleans

TRAIN STATION, acrylic painting on card, signed lower left, sight 4 Ύ x 6 Ύ”, framed with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

178

Ufert Wilke (1907-1989) Iowa

UNTITLED, 1960, mixed media on paper, initialed and dated lower right, 18 ½ x 12 Ύ”, framed. From the collection of Gaby Stuart. Provenance: David Stuart Galleries, Los Angeles, lacking label.

Probably tipped to mat, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

179

Ufert Wilke (1907-1989) Iowa

UNTITLED RED & GREEN, 1960, mixed media on paper, initialed and dated lower right, 20 Ό x 12 ½”. From the collection of Gaby Stuart. Provenance: David Stuart Galleries, Los Angeles.

Tipped to mat in a few places, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

180

Francisco Zuniga (1912-1998) Costa Rican

MUJERES CON NINO EN LA PUERTA (B.37), 1977, color lithograph, signed in pencil, numbered IX/XXX (9/30), printed by Kryon, published by Brewster, sheet 31 ½ x 23 ½”, framed with glass.

In apparently good condition.

Auction Estimate $700/900

Starting Bid $350

 

 

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