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Auction Saturday August 24th @ Noon

American and European Art Collection

Illustration precedes description

 

 

 

101

Charles Levier (1920-2004) French

STILL LIFE WITH BLUE PITCHER, oil painting on board, signed lower right, 14 x 11”, frame 21 ½ x 18 ½”.

Some surface soiling, small nick upper left, small scrape and small accretion lower left, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

102

Charles Levier (1920-2004) French (two)

UNTITLED ABSTRACTS, two, each an oil painting on board, signed lower right, 14 x 11” & 14 x 11”, frame 21 ¾ x 18 ¾” & 22 x 19”. (2)

One with small losses from artist’s incisions, otherwise both good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

103

Charles Levier (1920-2004) French & Melatti (two)

Charles Levier STILL LIFE, oil painting on canvas, signed lower right, 24 x 30”; Together with Melatti STILL LIFE, oil painting on canvas; signed upper right, 24 x 30”. (2)

Levier with hairline scratch at center, Melatti with small unobtrusive tear center right, otherwise both in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

104

after Kazimir Malevich (1878-1935) Russian

UNTITLED, color lithograph, with Nakhamkin blind stamp lower left and another blind stamp lower right, numbered 205/300, image 25 x 20 ¼”, full margins, frame 41 ¼ x 34 ¼”.

Mild cockling and creases in the margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

105

Heather Marcus (b. 1939) American

UNTITLED, painted and riveted metal wall sculpture, 55 x 64 x 16 ½”.

Some minor paint chips, overall dust accumulation, otherwise in apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

106

Samuel Marx (1885-1964) American

STILL LIFE IN A BLUE VASE, oil painting on paper or board, signed and dedicated lower right, 40 x 30 ½”, frame 51 x 41” with glass. Provenance: Mervyn and Kitty LeRoy; Literature: ULTRAMODERN SAMUEL MARX/ Architect Designer Art Collector, painting featured on page 185 in Mervyn Leroy’s Bel Air home; ARCHITECTURAL DIGEST, April 1994, painting featured on page 227, article and photographs of Mervyn Leroy’s Bel Air home.

Flaking and some craquelure, otherwise in apparently good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

107

Roberto Matta (1911-2002) Chilean

HOM’MERE III: TRANCHETRE (F.209), 1977, color aquatint etching, signed in pencil, numbered 60/100, printed and published by Georges Visat, image 19 ¼ x 14 ¾”, full margins, frame 28 ¾ x 21 ¾” with glass.

Extremely pale toning in margins, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

108

Roberto Matta (1911-2002) Chilean

HOM’MERE III: L’ERGOFRAGE (TITIANIC) (F.207), 1977, color aquatint etching, signed in pencil, numbered 60/100, image 19 ¼ x 14 ¾”, full margins, frame 28 ¾ x 21 ¾” with glass.

Toning in margins, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

109

Peter Max (b. 1937) German/ American

FLOWER STILL LIFE, 1982, acrylic painting on canvas, signed and dated upper right, inscribed and dated and copyright in marker on verso, 24 x 18”, frame 30 ½ x 24 ½”. Provenance: acquired directly from the artist by Renee Wayne Golden, attorney for the artist, bequeathed to Paul and Mani Baker.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

110

Peter Max (b. 1937) German/ American

STANDING FIGURE, 1974, acrylic painting on canvas, signed and dated upper left, 29 ½ x 22 ½”, frame 32 ¾ x 24 ¾”. Provenance: acquired directly from the artist by Renee Wayne Golden, attorney for the artist, bequeathed to Paul and Mani Baker.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

111

Peter Max (b. 1937) German/ American

PROFILE IN GREEN, 1984, oil painting on canvas, signed and dated upper right, inscribed and dated and copyright in marker on verso, 20 x 16”, frame 26 ¼ x 22 ¼”. Provenance: acquired directly from the artist by Renee Wayne Golden, attorney for the artist, bequeathed to Paul and Mani Baker.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

112

Peter Max (b. 1937) German/ American

FIGURE & PROFILE, 1983, color lithograph, signed and dated and inscribed artist’s proof in pencil, dedicated in blue pencil lower center, Peter Max Atelier blind stamp lower left, sight 20 ½ x 29 ½”, frame 28 ¼ x 37 ¼” with glass.

Colors attenuated, discoloration upper sheet edge probably from hinges on verso, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

113

Peter Max (b. 1937) German/ American

FIGURE IN BLUE ROBE WITH VASE,1980, color lithograph, signed and dated and inscribed artist’s proof in pencil, Peter Max New York blind stamp lower left, image 18 ¼ x 23 ¼” frame 28 ¼ x 33 ¼” with glass.

Colors attenuated, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

114

Peter Max (b. 1937) German/ American

MAN WITH UMBRELLA, 1983, color lithograph, signed and dated and inscribed artist’s proof in pencil, Peter Max Atelier blind stamp lower left, sight 20 ½ x 29 ½”, frame 28 ¼ x 37 ¼” with glass.

Colors attenuated, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

115

Peter Max (b. 1937) German/ American

RECLINING FIGURE, 1983, color lithograph, signed and dated and inscribed artist’s proof in pencil, dedicated in blue pencil, Peter Max Atelier blind stamp lower left, sight 20 ½ x 29 ½”, frame 27 ¾ x 36 ¾” with glass.

Colors extremely attenuated, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

116

McDonald (20th Century)

BOUQUET ON BALCONY TABLE, acrylic painting on paper or board, signed lower right, sight 20 x 24”, frame 29 ½ x 33”.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

117

McDonald (20th Century)

OCEAN VIEW, acrylic painting on paper or board, signed lower right, sight 27 x 27”, frame 36 x 36”.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

118

Mendij (20th Century) European California

SELF PORTRAIT, 1971, oil painting on canvas, signed and dated lower right, 52 x 48”, frame 54 x 50”.

In good studio condition

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

119

Mid-Century Modern Artist Unidentified (two)

STILL LIFE; LANDSCAPE, two, each an oil painting on board, each signed Pala**** lower left, 21 x 18” & 18 x 24”, frames 31 x 26” & 24 ¾ x 30 ¾”. (2)

Both in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

120

George Miyasaki (1935-2013) Hawaiian/ Californian

TRAMPAS MESA, 1982, color lithograph, signed and dated in pencil, numbered 32/50, printed and published by Tamarind Press, sheet 26 ¾ x 21”, frame 35 ½ x 29 ¾” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

121

Albert Mohr (1918-2001) New York/ France

THE BATHERS, oil painting on canvas, signed lower left, 30 x 24”, frame 35 ½ x 29 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

122

C. Pal Molnar (1894-1981) Hungarian

LANDSCAPE, oil painting on Masonite, initialed lower right, 11 ¾ x 15 ½”, frame 16 ½ x 20 ½”.

Some minor surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

123

attributed to Adolphe Monticelli (1824-1886) French

LADIES WITH PARASOLS, oil painting on board, 17 ¾ x 23 ½”, frame 25 x 31”.

Minor discoloration on verso, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

124

Michael Olodort (b. 1942) & Robert Glover (20th Century) (two)

Michael Olodort TAP DANCING HANGER, 1970, color pastel on paper, titled and dated lower right, possibly signed on verso, 19 x 19”, frame 23 ¾ x 23 ¾” with glass. Provenance: Pasadena Art Museum; Robert Glover INTERCEPTOR, gouache on illustration board, signed and inscribed with another title on verso, overall 19 ¼ x 19 ¼” including frame, provenance: Janus Gallery, Los Angeles. (2)

The first with mild cockling and slightly touching the glass, the second with minor buckling; otherwise both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

125

Yoko Ono (b. 1933) Japanese/ American & other gallery ephemera (twenty-five)

A collection of exhibition announcements from 1977-2002, including original art and photographs, purported to be from the international art critic Anthony Haden-Guest, including Yoko Ono's card and key contained in a screenprinted plastic bag 7 x 4” from Blood Objects Drawings from Franklin Summer 1995; other artists include Ron Galella, Marcia Grostein, Michael Nafzigar, Marcia Resnick, and an assemblage/ construction Marlboro Box dedicated to Anthony on his 72nd Birthday, sizes from 4 x 3 ½ to 12 x 9 ½”, in a collector’s black portfolio box with surface losses from tape removal throughout, 2 ½ x 10 ¼ x 13 ½”. (25)

Overall in good aged condition.

Auction Estimate $200/400

Starting Bid $100

  

Use the following links to view lot numbers 1-155

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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